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The Character: Real life worker in a nuclear power plant whose brave investigation into unsafe practices led to her suspicious death in a motor accident. The Actress: Still only in her mid-30s, Meryl Streep already had two Oscars under her belt and a reputation as the best actress around.

The Performance: More fuel for Streeps reputation, so utterly convincing as a blue-collar, mid-West factory worker you even believe that her best friend could be Cher.

The Actress: Director Giuseppe Tornatore, required to cast the most beautiful woman in town, went to the top - ex-model Monica Bellucci.

The Performance: Belluccis serene grace and frankly astounding looks have rarely been better showcased.

The Performance: Hayworth exudes a sensuality that scandalised 1940s censors despite only removing a single glove in her infamous striptease to 'Who Put The Blame on Mame?

' The Character: A film noir throwback in 80s modernist style, Matty twists an innocent man around her fingers using little more than raw sex.

While film school classes and incensed critics continue to debate the lack of women in film, female actresses are fighting the good fight on the silver screen itself.

Alas, not in anywhere near the numbers needed - provided things were a little bit fairer, of course - or that woman over the age of 40 didn't suddenly become a movie exec's idea of nightmare kryptonite.

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The Performance: Stubbs is the definitive reading, his distinctive baritone quivering with outrageous glee as he orders Seymour to "Feed Me!Plug in a grenade-launching gun and shes good to go-go.The Actress: Already a cult sensation thanks to The Character: The titular Pretty Woman, who doesnt let being a prostitute get in the way of a Pygmalion-style makeover into a modern-day princess." The Character: Flame-haired nightclub singer whose sheer presence ignites scandal and suspicion amongst two men: one, her husband, the other an ex-lover.The Actress: Rita Hayworth, wartime pin-up and wife of Orson Welles.

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